3-shoʻba. Arxeologik manbalar va sanʼatda diniy-mifologik tasvirlar

Oks sivilizatsiyasi san’atida “Etana” afsonasining ikonografik talqini

2026: Termiz, 2026-yil 25–26-sentabr 147-153

DOI: 10.5281/zenodo.22820274 2026-09-25 3-shoʻba. Arxeologik manbalar va sanʼatda diniy-mifologik tasvirlar CC BY 4.0 Open Access

Mualliflar

  • Gulmira Choriyevna Kattayeva Termiz davlat universiteti Tarix fakulteti, O‘zbekiston tarixi va manbashunoslik kafedrasi dotsenti

Annotatsiya

Ushbu maqolada Oks sivilizatsiyasi (BMAK) sanʼatida Mesopotamiya kelib chiqishiga ega “Etana” afsonasi ikonografiyasining aks etishi qiyosiy-ikonografik usulda tahlil qilinadi. Oks sivilizatsiyasi muhrlaridagi “osmonga koʻtarilayotgan odam”, “burgut va ilon jangi” hamda “qushodam” motivlari Mesopotamiya va Janubi-Sharqiy Eron (Kerman madaniyati) sanʼatidagi Etana sahnalari bilan solishtiriladi. Markaziy obyekt sifatida Jarqoʻton va Gonurtepadan topilgan burgut va ilon tasvirlangan muhr-tumorlar olinadi. Natijalar mil. avv. III–II ming yillikda "Eron yassitogʻligidan Baqtriyaga mifologik motivlar savdo aloqalari orqali oʻtganligi haqidagi ilmiy farazni mustahkamlaydi.

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3-shoʻba. Arxeologik manbalar va sanʼatda diniy-mifologik tasvirlar
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